Laboratory abstract

Over recent years our design studio titled "Open Neighborhoodsseeks" seeks to read, interpret and rethink a specific value of “Interior and Spatial Design”, exploring the vast “open” field of design research related to the deepest and most erratic characters of inhabiting spaces. A wide field, understood in all its extensions, which are probably in the origins of city and territory changings. Such research process has had, during the time, a constant matrix developing (by different shapes, prospects and places), a concept of interior spaces “refunctionalization”, in a contest that we defined of “genetic evolution of the urban metabolism”. Specifically, the NEW INTERIORS 2 Studio (A.A. 208/19) dealt with the complex issue of reunificating through temporary bridges (dry prefabricated structures), those districts "split" by the immense areas of the abandoned Milanese railway yards (specifically Scalo Farini, Porta Romana and Porta Genova) and currently under recovery. From this point of view "TO BRIDGE" emerged as a synonym of "connection", where the theme of the “crossing” was declined by the students in many ways of living and telling the bridge. In fact, the projects deal with different themes: from the urban cultivation to the suspended park, from the synesthetic experience to the narrative space of a neighborhood.

30 db. Trenta decibel2020-08-31T23:09:41+00:00

Project Description

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30 db. Trenta decibel

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Course: Contest Design Studio (Section I1)

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Academic Year: 2019/2020

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Professors: Giampiero Bosoni, Chiara Lecce, Ico Migliore

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Tutors: Marta Elisa Cecchi, Rossella Forioli, Lucia Frescaroli

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Partner: Direzione urbanistica del comune di Milano

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Students: Mattia Barrile, Giovanni Bettinelli, Andrea Escudè, Simone Salcuni

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The project aims to isolate the transmission of urban noise pollution of Milan. The main objective is to get as close as possible to 30 db, as well as to educate and bring back to life sounds belonging to nature and the history of the railway yard. Among the various references we find the continuous monument of Superstudio, a visual framework from which a modular structure made of Dalmine tubes takes its shape. The materials have been chosen in line with the functional needs of usability and acoustic insulation, as well as respecting the desire to create a contrast between the completely noisy shipbuilding imaginary and the meditative silence that instead is presented inside our structure. The sound installations, whose intent is to offer some immersive experiences to passers-by, have been developed according to a continuous procession whose sign is amplified and supported by the graphic and lighting systems.

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